ast going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures.

I am about to present to you the ultimate secret to successfully audition for any role. In fact after doing so I am certain you will send me emails thanking me for practically saving your career. Now before I give you this secret let me tell you the most common problem among actors. Many call or email me before an important audition on the verge of a nervous breakdown. That’s right, the most common problem and the one that ruins their chances of getting the role for many actors is nervousness.

So how do you beat it? How do you walk into an audition so cool, calm and collected that you focus 100% on your lines and character? The key is so simple that many have not even thought about it. But let me warn you first. Any acting coach or teacher who promises you a quick fix to eliminate nervousness, anxiety and fear is full of it. Run for the hills. Over the years I’ve worked with a lot of techniques to deal with these emotions that many face. I sometimes prescribe homeopathic remedies but this is not a long-term fix.

Now before I get into it let me tell you about what happened to my friend. It started out when I got a call from her in France. She was a noted producer and happened to be on the lecture circuit. Right before she was to make an important speech before hundreds she called me in a panic. She asked what could she do to calm herself down. Immediately I sprang into action and give her some techniques to handle it. However, I warned her that the general emotions would still be present. After the lecture, which went well, I began to consul her on more in-depth ways to address the fear.

See we are emotionally conditioned not stand out. It is a survival mechanism. We are programmed to stay with the herd because there is power in numbers. This is where cultural norms come from. Some societies even ostracized people as a form of criminal punishment. Being cast out or expelled from your clan could cut one off from valuable resources such as food, protection and the ability to procreate. Let’s face it. If you are not part of the group whom will you find as a mate? Your genes will be wiped out of existence. In response, your spirit accepts a program which says that anytime you stand out or do something different from the established norm you will experience an enormous amount of fear. Since we are no longer living in that paradigm that protective mechanism is no longer needed.

As someone who lectures across the country I must confess I used to be nervous as wreck. In fact, I used to become physically ill in front of a large crowd. But when I started studying the Kamitic Acting System all that changed. In our Tree of Life there is a sphere called Maat. One of Maat’s principles is living according to truth. In other words taking the truth of what you’ve learned and applying it to your daily routine. Now here’s the secret. Are you ready? When an actor comes to me and asks me how to get rid of the nervousness I respond by asking them one question. How many auditions have you done? Usually they’ll say something like 10 or 20. At that point I’ll smile and say you are just a baby. Listen, in order to get good at auditions you need two things: good techniques and hundreds of auditions under your belt. If you’ve only been to 20 or 30 auditions in your lifetime then you’re still new to this game. In short to get really good you need experience.

Going to one or two auditions every now and then is not going to do the tick. Study great athletes. Tennis pros will practice a swing thousands of times. A great baseball players will practice that one shot hundreds of thousands of times. They do so to program their spirits. When you repeat something over and over again you create a program. Once it is imbedded within you then it becomes your default way of operating. You will no longer feel that fear or anxiety because your spirit will accept it and act on it without you even having to think about it. And that’s one of the key secrets. The thought process is what gets actors in trouble. We call it the Sebek sphere.

Sebek, which is the mind, will throw thoughts up at you and create self-doubt. He’ll even bring up things from the past going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures. T

et into it let me tell you about what happened to my friend. It started out when I got a call from her in France. She was a noted producer and happened to be on the lecture circuit. Right before she was to make an important speech before hundreds she called me in a panic. She asked what could she do to calm herself down. Immediately I sprang into action and give her some techniques to handle it. However, I warned her that the general emotions would still be present. After the lecture, which went well, I began to consul her on more in-depth ways to address the fear.

See we are emotionally conditioned not stand out. It is a survival mechanism. We are programmed to stay with the herd because there is power in numbers. This is where cultural norms come from. Some societies even ostracized people as a form of criminal punishment. Being cast out or expelled from your clan could cut one off from valuable resources such as food, protection and the ability to procreate. Let’s face it. If you are not part of the group whom will you find as a mate? Your genes will be wiped out of existence. In response, your spirit accepts a program which says that anytime you stand out or do something different from the established norm you will experience an enormous amount of fear. Since we are no longer living in that paradigm that protective mechanism is no longer needed.

As someone who lectures across the country I must confess I used to be nervous as wreck. In fact, I used to become physically ill in front of a large crowd. But when I started studying the Kamitic Acting System all that changed. In our Tree of Life there is a sphere called Maat. One of Maat’s principles is living according to truth. In other words taking the truth of what you’ve learned and applying it to your daily routine. Now here’s the secret. Are you ready? When an actor comes to me and asks me how to get rid of the nervousness I respond by asking them one question. How many auditions have you done? Usually they’ll say something like 10 or 20. At that point I’ll smile and say you are just a baby. Listen, in order to get good at auditions you need two things: good techniques and hundreds of auditions under your belt. If you’ve only been to 20 or 30 auditions in your lifetime then you’re still new to this game. In short to get really good you need experience.

Going to one or two auditions every now and then is not going to do the tick. Study great athletes. Tennis pros will practice a swing thousands of times. A great baseball players will practice that one shot hundreds of thousands of times. They do so to program their spirits. When you repeat something over and over again you create a program. Once it is imbedded within you then it becomes your default way of operating. You will no longer feel that fear or anxiety because your spirit will accept it and act on it without you even having to think about it. And that’s one of the key secrets. The thought process is what gets actors in trouble. We call it the Sebek sphere.

Sebek, which is the mind, will throw thoughts up at you and create self-doubt. He’ll even bring up things from the past going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures.

ate? Your genes will be wiped out of existence. In response, your spirit accepts a program which says that anytime you stand out or do something different from the established norm you will experience an enormous amount of fear. Since we are no longer living in that paradigm that protective mechanism is no longer needed.

As someone who lectures across the country I must confess I used to be nervous as wreck. In fact, I used to become physically ill in front of a large crowd. But when I started studying the Kamitic Acting System all that changed. In our Tree of Life there is a sphere called Maat. One of Maat’s principles is living according to truth. In other words taking the truth of what you’ve learned and applying it to your daily routine. Now here’s the secret. Are you ready? When an actor comes to me and asks me how to get rid of the nervousness I respond by asking them one question. How many auditions have you done? Usually they’ll say something like 10 or 20. At that point I’ll smile and say you are just a baby. Listen, in order to get good at auditions you need two things: good techniques and hundreds of auditions under your belt. If you’ve only been to 20 or 30 auditions in your lifetime then you’re still new to this game. In short to get really good you need experience.

Going to one or two auditions every now and then is not going to do the tick. Study great athletes. Tennis pros will practice a swing thousands of times. A great baseball players will practice that one shot hundreds of thousands of times. They do so to program their spirits. When you repeat something over and over again you create a program. Once it is imbedded within you then it becomes your default way of operating. You will no longer feel that fear or anxiety because your spirit will accept it and act on it without you even having to think about it. And that’s one of the key secrets. The thought process is what gets actors in trouble. We call it the Sebek sphere.

Sebek, which is the mind, will throw thoughts up at you and create self-doubt. He’ll even bring up things from the past going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures.

er to get good at auditions you need two things: good techniques and hundreds of auditions under your belt. If you’ve only been to 20 or 30 auditions in your lifetime then you’re still new to this game. In short to get really good you need experience.

Going to one or two auditions every now and then is not going to do the tick. Study great athletes. Tennis pros will practice a swing thousands of times. A great baseball players will practice that one shot hundreds of thousands of times. They do so to program their spirits. When you repeat something over and over again you create a program. Once it is imbedded within you then it becomes your default way of operating. You will no longer feel that fear or anxiety because your spirit will accept it and act on it without you even having to think about it. And that’s one of the key secrets. The thought process is what gets actors in trouble. We call it the Sebek sphere.

Sebek, which is the mind, will throw thoughts up at you and create self-doubt. He’ll even bring up things from the past going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures.

ast going as far back as your childhood. This can literally cripple you during an important audition. But when you make it a point to audition as much as possible even stacking up as many as 500 auditions you bypass the thought process and engage the program. In essence, you will be acting without thinking. You will just be flowing and the casting director will feel it. It will almost appear as if you are a natural. But the bottom line is you have to audition for roles as much and as often as possible. So when my friend from France told me how nervous she was I knew she didn’t have much experience. I told her that she should continue to lecture as much as possible and eventually the nervousness would go away.

Some actors approach an audition as if it will make or break their careers. This creates all kinds of anxieties. Throw that thinking away. Every audition is a learning experience. See it as the testing grounds. You are just practicing your craft. Stop caring about the outcome. To be a great actor you must accumulate failures. That’s right… you must fail and more often. This will lead you to success. In a way it’s a numbers game. The more you audition the better your odds are of getting a role. The more you audition the better you become at it. Understand what I am saying? Some of you may have heard me talking about using mediation or trance as a means to eliminate fear and nervousness. Yes, that’s also a very effective method. But it’s simply another weapon in your arsenal which we can address in future articles. So stack up those auditions.

This year make it your goal to do one thousand of them. Don’t worry because even if you don’t achieve that mark just think of how good you will be if you only make it to 500. Image the experience and knowledge you will have. Of course there are some winning techniques to focus on in the audition itself. I would never advise you to just walk in unprepared. This is where a good coach can help. But just keep in mind that no one is going to force you to do the work. You must be disciplined and want it more than anything. It is going to take courage to face the fear and rejection you’ll experience. Yes, it’s going to hurt. But know that there will be a day when you’ll wake up and those fears will be gone. It will be easy and almost effortless. That’s when the real fun begins. God bless!