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  • Suggest You - Hero's Journey (Monomyth): Focus on Transformation, Not Conflict

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    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives

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    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives y

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    act, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives

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    erstanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives

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    ney:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives

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    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    FOCUS ON TRANSFORMATION, NOT CONFLICT

    A pervasive myth argues that stories are about conflict. It is true that the basis of human interaction is status based - every action, movement and inflexion implies status / status transactions and on that level there is conflict. Also, there is inh

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