Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this

Outlines have proven quite effective for a lot of writers, and many of the famous stories we know and love--such as Star Wars--were outlined before they were fleshed out into a living, breathing story. (Well, metaphorically living and breathing, anyway.)

But many of the stories that touched us most--like real-life experiences--simply happened, no outlining was needed. Some stories just come to you, while others need some refining before they're ready to be written. The question is, which one works best for you?

I have always been a 'seat-of-the-pants' writer--that is, I've just sat down and written most of what I want to write, without any outlining or prior planning.

However, on several occasions I have actually written detailed outlines and come up with very rewarding and satisfying pieces of writing for my efforts.

Some people swear that they can't write a single sentence until they know what the end is going to be. Other people--like me--are the opposite. They can't write the ending until they've written the beginning. They have no idea how the story will end when they type in that first sentence. Some people even write an outline for each scene, number them, put them in order and then write them in that order, without considering which to write first--ending, middle, or climax.

For me, outlining in too much detail takes all of the spontaneity out of writing. It makes me feel like I've already written the whole story before when I sit down at the keyboard to start typing. I know from experience that if I outline scene by scene, going through every hand motion and every eye motion and every tilt of the head that my characters are making--it won't be as new and exciting when I'm doing the actual writing. And I will get bored.

Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this

I have always been a 'seat-of-the-pants' writer--that is, I've just sat down and written most of what I want to write, without any outlining or prior planning.

However, on several occasions I have actually written detailed outlines and come up with very rewarding and satisfying pieces of writing for my efforts.

Some people swear that they can't write a single sentence until they know what the end is going to be. Other people--like me--are the opposite. They can't write the ending until they've written the beginning. They have no idea how the story will end when they type in that first sentence. Some people even write an outline for each scene, number them, put them in order and then write them in that order, without considering which to write first--ending, middle, or climax.

For me, outlining in too much detail takes all of the spontaneity out of writing. It makes me feel like I've already written the whole story before when I sit down at the keyboard to start typing. I know from experience that if I outline scene by scene, going through every hand motion and every eye motion and every tilt of the head that my characters are making--it won't be as new and exciting when I'm doing the actual writing. And I will get bored.

Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this

Some people swear that they can't write a single sentence until they know what the end is going to be. Other people--like me--are the opposite. They can't write the ending until they've written the beginning. They have no idea how the story will end when they type in that first sentence. Some people even write an outline for each scene, number them, put them in order and then write them in that order, without considering which to write first--ending, middle, or climax.

For me, outlining in too much detail takes all of the spontaneity out of writing. It makes me feel like I've already written the whole story before when I sit down at the keyboard to start typing. I know from experience that if I outline scene by scene, going through every hand motion and every eye motion and every tilt of the head that my characters are making--it won't be as new and exciting when I'm doing the actual writing. And I will get bored.

Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this

For me, outlining in too much detail takes all of the spontaneity out of writing. It makes me feel like I've already written the whole story before when I sit down at the keyboard to start typing. I know from experience that if I outline scene by scene, going through every hand motion and every eye motion and every tilt of the head that my characters are making--it won't be as new and exciting when I'm doing the actual writing. And I will get bored.

Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this

Not being one to outline by trade, I sort of made up my own outlining style, and it is actually more of a summary than an outline.

For example, I have a 36-page 'outline' for a novel I want to write. Every time I sat down to write on it--excited about finishing this story and getting it published--I would read the first few lines of the outline, try to start where I left off last time, and fail miserably.

The outline was just too detailed--I felt that it took away all of the freedom I have as a writer. So I thought it over, and decided that an outline was just a tool, and we all use tools differently. Now, if I have an outline at all, I consider it a "rough draft" of the story, and so I can change things around if I decide it's better that way.

But you're asking, "Do you mean that the answer to 'to outline or not to outline' is not to?"

Not at all!

Outlining works for some people and it doesn't for others. I believe that everyone should write in whatever style works best for them. If you find yourself at a dead-end in your creativity (sometimes known better as 'writer's block') you might want to examine what an outline means to you.

If you usually outline and now find yourself at a dead end, try spontaneously writing something--without an outline. Anything will do. Write random scenes and keep them all in a folder or journal to read later--who knows, one might even inspire a new story for you.

For those who usually write spontaneously and are at a dead end, perhaps you should experiment with outlining. I used to swear I would never outline. But when I gave in and tried it, I did get some good results. If the outline seems too rigid, you might try what works for me--which is to put less detail into the outline.

I have a very detailed writing style, so it's natural for me to want to note every little thing in the outline. But that was a mistake. I've learned to write the outline with just enough detai